"On the other side of the one-way glass, Harvey was nodding back and forth as she listened back to a track that they must've been working on earlier that morning, her ankle boots slowly stomping to the rhythm. The studio space was a sprawling array of red and black cables scattered around the floor, with clarinets, saxophones, and trumpets gleaming in every direction. One of Harvey's distinctive rose-painted harpsichords from the 'White Chalk' era sat on a shelf behind her."
"Alessandro Stefana (playing the clarinet) and Terry Edwards (sax) were working on their synchronisation together as Harvey and one of her producers, John Parish, gave suggestions. Her ninth studio album could be a very jazzy affair. They took five different takes within the hour, changing the pitch and key. As they spoke about
trying to sandwich one of the verses and chorus together, I was enamoured by Harvey's really sweet, encouraging nature. Just as they seemed to have wrapped up the track, Harvey called out: "Time for lunch now, isn't it?" That was our cue."
http://www.dummymag.com/features/pj-harvey-recording-in-progress-live-somerset-house-review